The Artist-Gallery Partnership provides artists and dealers with guidelines for sound business negotiations as well as ideas for resolving disputes. The revised edition contains a new chapter on state consignment legislation, and includes a sample of the Standard Art Consignment Agreement, an inventory sheet/receipt for artworks on consignment, and the texts of the art consignment laws enacted in more than thirty states.
Price=$16.95
Buy]]> Sun, 10 May 2009 14:27:32 -0600 http://www.magnifico.org/art-products/art-museums/the-6.htm http://www.magnifico.org/art-products/art-museums/the-6.htm
Splendid collection of art cards reproduced from the work of one of the 19th century’s most important artists. Includes Le Déjeuner sur l’herbe (1863), The Fifer (1866), Jeanne, Spring (1881), Boating, (1874), A Bar at the Folies-Bergère (1881-82), Sur le plage (1873), and 18 other attractive cards that can be used as bookmarks, sent to friends, or framed and added to a personal collection.

Price=$5.95
Buy]]> Sun, 10 May 2009 14:27:30 -0600 http://www.magnifico.org/art-products/art-museums/manet-paintings.htm http://www.magnifico.org/art-products/art-museums/manet-paintings.htm
2009 is a double jubilee for Charles Darwin (1809-1882). The world celebrates his 200th birthday and also the 150th anniversary of the first edition of his epoch-making title ?On the Origin of Species?. This book revolutionized the knowledge of biology and led to hot debates between scientists around the world. The present work for the first time documents the influence of Darwinism to the fine arts. The famous Frankfurt museum Schirn presents 150 paintings, drawings and lithographs as well as rare and ex?ceptional documentations. The exhibition includes works by Frederic Church, Franti?ek Kupka, Odilon Redon, George Frederic Watts, Arnold Bcklin, Max Ernst and many more thus covering a period from 1859 to the middle of the 20th century.
Price=$36.60
Buy]]> Sun, 10 May 2009 14:27:27 -0600 http://www.magnifico.org/art-products/art-museums/darwin-art-and.htm http://www.magnifico.org/art-products/art-museums/darwin-art-and.htm
Do small and medium size communities intrigue you? Are you the type of person who believes there's a pot of gold at the end of every rainbow? Can you envision yourself someday living in a arts-supportive community where there's only one coffeeshop selling decaf lattes?

From Maine's lobster shacks to LaJolla's fish taco stands, the North American continent is home to hundreds of tiny towns and small cities where the arts are flourishing. And if you assume that small town art looks like a smiling teddy bear sitting in a miniature rocking chair, and sounds like a barbershop quartet harmonizing underneath a Victorian gazebo, then you're either watching too much television or you're not traveling enough. The reality of small town and small city art scenes in the 21st century is one of surprising strength, vivid diversity, sophisticated expression, and impressive talent. Whether your interests are in the visual arts, contemporary theatre, modern dance, classical music, Shakespeare under the stars, or outdoor art festivals where small town streets are lined with artists' booths, there's an astonishing arts transformation taking place in communities the mainstream art world considers too far off the beaten path.

Author John Villani guides you down those pathways and opens the doorways to a C-note's worth of those places in this all-new 4th edition of The 100 Best Art Towns in America. Here's where you'll discover an exceptional contemporary art museum in eastern North Dakota, a Mississippi shrine to one of America's most gifted ceramists, a decommissioned military base in Washington State that's been converted into a short-term residency center for painters, poets, and authors, and a coastal community is South Carolina where a compact business district has become home to more than a dozen art galleries.

With each passing year Americans are becoming better informed about the arts and understand the importance of supporting the arts whether they're in downtown storefront galleries, on stages erected in neighborhood parks, or sprawled across the linoleum floors of elementary school classrooms. Discover for yourself the creativity flourishing in 100 of those communities in the pages of this Art Towns travel guide.
Price=$13.57
Buy]]> Sun, 10 May 2009 14:27:04 -0600 http://www.magnifico.org/art-products/art-museums/the-5.htm http://www.magnifico.org/art-products/art-museums/the-5.htm
To choose 1,000 works to represent a museum whose total collection exceeds 100,000--now that's curating. Imagine the restraint required to compile a catalog of the collection of the Museum of Modern Art in New York--the first museum exclusively dedicated to art of the 19th and 20th centuries, and the first to recognize modern-art disciplines (photography, film, industrial design, installation). The collection is carefully and tastefully represented in this 600-page tome. Multiple frontispieces representing each of the museum's departments welcome the reader, followed by a thorough and illustrated introduction to the museum's directors, exhibitions, donors, acquisitions, and architecture.

Then comes the good stuff: 1,000 works from the museum's six curatorial departments: Painting and Sculpture, Drawings, Prints and Illustrated Books, Architecture and Design, Photography, and Film and Video, each section introduced by an essay explaining the development of the particular collection. Clear, large, color illustrations of Cezanne's The Bather, Munch's Madonna, Wyeth's Christina's World, and sculpture by Oldenburg, Serra, Morris, and Beuys leave a reader gasping, "They have that?"

First published in 1984, the book was reprinted in 1997 by Abradale, Abrams's more affordable imprint. While the huge catalog is now less expensive, keep in mind that its content has not been revised since its first edition. Regardless, it's a valuable testament to the quality and scope of one of the world's greatest art collections. It's hard not to want to see all of the works that didn't make it into the catalog.
Price=$39.97
Buy]]> Sun, 10 May 2009 14:26:46 -0600 http://www.magnifico.org/art-products/art-museums/the-museum-of-3.htm http://www.magnifico.org/art-products/art-museums/the-museum-of-3.htm

What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts.

With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education.

Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.

In this book accompanying the first full-scale retrospective of Ireland's work, curator and author Karen Tsujimoto provides an insightful overview of more than thirty years of the artist's accomplishments, from his drawings, sculptures, and site-specific installations to his remarkable series of architectural transformations, including his well-known house at 500 Capp Street in San Francisco. Chronicling Ireland's circuitous route to his calling, Tsujimoto explores how key life experiences have influenced his artistic perspective--from his early art-student days, through his years as an African importer and safari guide, to his long-standing interest in Eastern, and particularly Zen, philosophy and his deep connections with the San Francisco Bay Area conceptual art community. An illuminating essay by art historian and curator Jennifer R. Gross also considers Ireland's art in terms of historical materialism--assessing his use of neglected materials and artifacts as a process of cultural preservation.
Price=$36.95
Buy]]> Sun, 10 May 2009 14:24:57 -0600 http://www.magnifico.org/art-products/art-museums/the-art-of-14.htm http://www.magnifico.org/art-products/art-museums/the-art-of-14.htm
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.
Price=$32.97
Buy]]> Sun, 10 May 2009 14:24:35 -0600 http://www.magnifico.org/art-products/art-museums/the-art-of-13.htm http://www.magnifico.org/art-products/art-museums/the-art-of-13.htm
Artists' books have emerged over the last 25 years as the quintessential contemporary art form, addressing subjects as diverse as poetry and politics, incorporating a full spectrum of artistic media and bookmaking methods, and taking every conceivable form. Female painters, sculptors, calligraphers, and printmakers, as well a growing community of hobbyists, have played a primary role in developing this new mode of artistic expression. The Book as Art presents more than 100 of the most engaging women’s artist books created by major fine artists such as Meret Oppenheim, May Stevens, Kara Walker, and Renee Stout and distinguished book artists such as Susan King, Ruth Laxson, Claire Van Vliet, and Julie Chen. Culled from over 800 unique or limited-edition volumes held by the National Museum of Women in the Arts, these books explore the form as a container for ideas. Descriptions of the works are accompanied by colorful illustrations and reflections by their makers, along with essays by leading scholars and a lively introduction by the most famous book artist in our culture, best-selling author Audrey Niffenegger. The exquisitely crafted objects in the The Book as Art are sure to provoke unexpected and surprising conclusions about what constitutes a book. The Book as Art accompanies the exhibition of the same name at the Museum of Women in the Arts in Washington, D.C., beginning in October 2006.
Price=$34.65
Buy]]> Sun, 10 May 2009 14:24:33 -0600 http://www.magnifico.org/art-products/art-museums/the-book-as-art.htm http://www.magnifico.org/art-products/art-museums/the-book-as-art.htm
Caught up in optimistic new departures, the Pforzheim jewellery industry, which had been in existence since 1767, was in its heyday around 1900. Nearly five hundred jewellery manufacturers, workshops and studios were producing thousands of pieces of jewellery a day for sale worldwide through a ramified network of marketing and distribution channels. A high point of this was Pforzheim's participation in the 1900 Paris World Exhibition, where innovative Pforzheim firms -- including Theodor Fahrner, Gebrüder Falk and F. Zerrenner -- publicly demonstrated their capabilities in a stunning collective exhibition.

The years between 1898 and 1908 saw Pforzheim primarily producing Art Nouveau jewellery featuring sophisticated manufacturing techniques. Today these pieces are much sought-after collector's items. For all the formal influences assimilated from French Art Nouveau, the stylistic autonomy of Pforzheim Jugendstil was ensured by collaboration between firms based in the "Gold City" and professors who taught at the Pforzheim Applied Arts School (Georg Kleemann, Emil Riester, Fritz Wolber) as well as members of the Darmstadt Mathildenhöhe artists' colony (Ludwig Habich, Patriz Huber, Christian Ferdinand Morawe). Inspiration from the Munich, Stuttgart and Vienna art centres also played a role in shaping Pforzheim Art Nouveau. The author has brought off a first: a publication that sheds brilliant light on the situation specific to the Pforzheim jewellery industry in 1900. Who were the founders and proprietors of the firms that were so successful then? Who were the designers who so prolifically came up with new designs and countless variations on them? How were relations between Pforzheim and Paris, which, after all, was a source of inspiration to the Pforzheim jewellery manufacturers? Hitherto unpublished contemporary sources, astonishing finds of original design drawings and sample books along with nearly 500 pieces of jewellery -- which the author has discovered in museums, private collections and on the art market and is now able to attribute to specific designers and makers -- provide exciting insights into a period that was brief yet intensely productive for the Pforzheim jewellery industry.
Price=$59.50
Buy]]> Sun, 10 May 2009 14:24:31 -0600 http://www.magnifico.org/art-products/art-museums/art-nouveau.htm http://www.magnifico.org/art-products/art-museums/art-nouveau.htm